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Museum of Archaeology and Anthropology


Explore recent blogs to peek behind the scenes...

... or click here for blogs from across the University of Cambridge Museums.


Transforming Collections and Ourselves: introducing the MAA Stores Move, by Lucie Carreau and Mark Elliott (13 August 2021)

Last March we were selecting an incredible team of nine Collections Assistants from an extraordinary field of over 700 applicants to join the most ambitious project the Museum of Archaeology and Anthropology has undertaken in at least a generation. It was all hugely exciting and terrifying, and then it stopped. And eventually started. Then stopped again. 15 months on, here is a very belated introduction to the MAA Stores Move: a reflection on what we’ve done so far and a look forward to the transformative work we’ll be undertaking in the years ahead.

The Move Team (Left to Right): Louise Puckett, Katrina Dring, Eleanor Beestin-Sherriff, Jane Pettitt, Annie Tomkins, Jazmin Hundall, Lily Stancliffe, Sam Daisley, Emily Shorter and Imogen Gunn. Photo by Lucie Carreau


The Chemical Experimenter, by Eleanor Wilkinson (3 March 2021)

Various individuals influenced the Egyptian collections here at MAA. There are some very unusual characters – like the banjo playing Lady Meux – and there are some more reserved antiquarians and entrepreneurial collectors. They all, however, contributed to what we now see in the museum in one way or another.

Steatite discs from New Kingdom Egypt

 Steatite discs from New Kingdom Egypt (MAA 1948.2799 A and B), collected by Joseph Acworth


RePresent, by Danika Parikh, Korantema Anyimadu and Tara Okeke (11 November 2020)

The RePresent Project, led by researcher Danika Parikh, aims to bring the voices of historically excluded communities into museums. This year, the project worked with the Cambridge African Network and MAA to bring the voices of people of African descent into the museum’s galleries.


 A RePresent intervention label on display describing the bronze head of an Oba at MAA. 

18th /19th century. Benin City, Edo State, Nigeria.
MAA E 1902.95.


Nine Collections, Six Months by Hannah Price (22 October 2020)

On 19 March, the University of Cambridge Museums and Botanic Garden closed to the public following Government advice. This week, we will be fully or partially open again across all sites for the first time in over six months. This post describes some of the activity we have delivered in that time, how we continued to serve our audiences, and some of our learning from a challenging 2020 so far.


Museum Remix: Unheard, by Hannah Price and Jenny Bull (12 October 2020)

The University of Cambridge Museums’ Museum Remix programme has been welcoming fresh perspectives onto our collections since 2018.


A photograph of the Museum Remix Team outside MAA, 2019

Where Chemistry and Anthropology Meet, by Katrina Dring (16 September 2020)

Fourteen objects held at MAA and originating from the First Nations people of the Northwest Coast of North America were analysed as part of a PhD research project by Lenore Thompson.

Large painted mask with strips of leather and copper

Large human mask painted and with strips of leather and copper applique. The eyes rotate and have black eyeballs on one side, and red with copper bands on the other.

Mid-19th Century. Fort Simpson, British Columbia, Canada.
MAA 1885.66.7.


How do you create a museum session connecting art objects and people when there are no objects and there are no people? by Jacqui Strawbridge and Sarah-Jane Harknett (13 August 2020)

We have been working with Arts and Minds since 2015, delivering sessions for their Arts on Prescription courses and providing spaces for the groups to meet in.


Knowing What Is Important: Rethinking collections with Maasai cultural leaders, by Mark Elliott (20 July 2020)

In January 2020 a group of Maasai activists and cultural spiritual leaders from Kenya and Tanzania were hosted in Cambridge by MAA during a two-week visit to museums in Oxford and London.

A Maasai man's armlet from Tanzania or Kenya

Orkatar: Man’s armlet. Maasai. Tanzania or Kenya. Divination in 2020 found that this armlet was taken from a man who was murdered while tending his cattle.

Donated by Sir Frederick Jackson. MAA, 1921.942 D


Why Google is my best friend – Shell instalment, by Katrina Dring (24 June 2020)

One of the things I love about working with collections is how much I end up learning not just about the collection itself but also about the world.

A forehead ornament from Mer, Torres Strait, 19th century

Forehead ornament made from polished Nautilus nacre. Collected by Alfred Cort Haddon in 1898 from Mer, Torres Strait.

MAA Z 9765.


Why Google is my best friend – Marsupial instalment, by Katrina Dring (22 June 2020)

The saying: “You learn something new everyday”, really does hold true for collections work and I thought I’d share some of my fun discoveries with you.


A necklace made from tree kangaroo teeth, late 19th century
Necklace of tree kangaroo teeth, donated by Alfred Cort Haddon. Possibly from Torres Strait, late 19th century. MAA Z 9293.


Teaching the Trumpington Treasures, by Lily Stancliffe (18 June 2020)

I fell in love with the Anglo-Saxons the first time I visited the reconstructed village at West Stow.


The Trumpington Cross, found in an Anglo-Saxon burial in Cambridgeshire


The Trumpington Cross. Gold and garnet cloisonné pectoral cross, with central roundel and flaring arms.

7th century. Anglo Saxon. Trumpington Meadows, Trumpington, Cambridgeshire, UK.
MAA 2017.58. Photography by Josh Murfitt.


Lessons learnt: engaging with Māori taonga, by Rachel Hand (7 June 2020)

The exhibition Tū te Whaihanga: A Recognition of Creative Genius opened at dawn on Monday 7th October 2019 at the Tairāwhiti Museum, Gisborne, Aotearoa New Zealand. It featured 37 taonga (Māori ancestral treasures) traded and gifted with James Cook and the crew of the Endeavour and the Tahitian priest-navigator Tupaia during encounters in the Tairāwhiti area in 1769.


Three women examining a Māori cloak

Weavers counted rows of warp and weft threads, relearning historic techniques.


Re-connecting with Taonga: Māori in the Museum, by Rachel Hand (7 June 2020)

The 250th anniversary year of explorer James Cook’s arrival in Australia and Aotearoa, New Zealand has offered opportunities for MAA to reflect on the ways we work with Cook voyage collections.

A Māori delegation photographed outside of the Museum

  The delegation from Tūranganui-a-Kiwa (Poverty Bay) and Te Aparangi (Royal Society of New Zealand) in Cambridge, September 2019. L-R: Nick Tupara, Beth Tupata-Katene, Kahu Hotere, Parekura Brown, Moera Brown, Anita Herle (MAA Anthropology Curator), Taharakau Stewart, Jody Wylie, Staci Hare,

(front) Rachel Hand (MAA Anthropology Collection Manager), Jennifer Pewhairang, Jody Toroa.


Bridging Binaries LGBTQ+ Tours – where are we now? by Jenny Bull and Niki Hughes (5 June 2020)

The University of Cambridge Museums (UCM) have been running volunteer-led LGBTQ+ tours, Bridging Binaries, since December 2018.


A marketing poster for the 2020 LGBTQ+ tour 
New marketing poster for 2020 LGBTQ+ tours


Solving a Chilly Mystery, by Lauren Burleson

Conservators are often privy to some of the most exciting discoveries on individual objects within museum collections, since we work so intimately with them.

Paintings of leggings, boots, socks, and mittens

The entire contents of the box (leggings, boots, socks, and mittens) after conservation.

(Photos by author and Kirstie French)


Life Changing Work Experience, by Niki Hughes

Nellie-Mae Morgan has just received an unconditional offer to University. This is how she thinks UCM has helped.


What’s in a label? by Eleanor Wilkinson (26 March 2020)

Sometimes we find objects in our store that have little or no known documentation – the object has in effect become ‘lost’. Sometimes, however, museum staff are lucky enough to have an old label or mark on the object. But how can we build an object biography from old labels?


The mummy net from the Lady Meux collection

 The mummy net from the Lady Meux collection still affixed to Lady Meux’s display board, TEMP.00975.


Cambridge Diary: Autumn 2019, by Hannah Price (2 March 2020)

Read on for a selection of autumn highlights from across the University of Cambridge Museums…

The acclaimed exhibition Oceaniaa collaboration between the Royal Academy of Arts, London, and Musée du Quai Branly – Jacques Chirac, Paris, with the participation of MAA, continued on its tour to the Museum Volkenkunde, Leiden. It received over 250,000 visitors during its successful runs in London and Paris, including 5000 holders of passports from Pacific states and territories admitted free of charge.


Museum Remix: LGBTQ+ stories from Cambridge collections, by Hannah Price (21 November 2019)

“This exhibition is about love and sex; identity and censorship. It’s also about labels, and why they matter.”


Dear Future Me: Working with Young People on Climate Change, by Jenny Williams and Jennie Thornber (19 November 2019)

In May and June, MAA and the Fitzwilliam Museum worked with Year 8 students from Cromwell Community College on a Bronze Arts Award project. The students explored stories of climate change through poetry and creative writing.


Two students looking at a totem pole in the Museum

Students explore MAA’s galleries


Four museums, four awards, by Hannah Price (14 October 2019)

Nicholas Thomas, Director of MAA, was awarded an Established Researcher Award for his work on the landmark Royal Academy exhibition Oceania.


A bright red, yellow and black Hawaiian feather cloak

Ahu ula (feather cloak) belonging to Liholoho, Kamehameha II., 19th century. MAA. 1934.1159.


Unpacking Cambridgeshire’s past, by Eleanor Wilkinson (4 September 2019)

MAA houses outstanding collections from the Cambridgeshire region, but for much of this material little has been documented and photographed.

A selection of small finds from an Iron Age burial in Cambridgeshire

Just some of the material from the extensive Iron Age burial at Snailwell, Cambridgeshire, consisting of ceramics, animal bones, toggles, and metal plating.


Volunteering with the MAA Education Team, by Jenny Williams (30 July 2019)

Romy Hall is a Pacific Currents volunteer at MAA, supporting the public engagement around the museum’s redeveloped displays of objects from the Pacific Islands. Jenny Williams caught up with her to chat about her experience.

Participants of the Erub Arts' workshop hold up their ghost net sculptures

Participants in Erub Arts’ workshop show off their own ghost net sculptures


My experience at the museum has been thoroughly incredible, by Hannah Price (16 July 2019)

At the end of June, four students from North Cambridge Academy took part in a week long work experience opportunity with the University of Cambridge Museums.


Barry the Barracuda visits MAA, by Jenny Williams (9 July 2019)

In June, MAA welcomed artists from Erub Island in the Torres Strait, Australia. Erub Arts hosted two workshops for the museum on how to work with ghost nets (abandoned fishing nets).

Participants of the Erub Arts' workshop make ghost net sculptures

Making tiny turtles at the Teachers and Artists Workshop


Young musicians in the museum, by Rachel Sinfield (16 May 2019)

On 31 March 2019, the Britten Sinfonia Academy, talented young instrumentalists from the east of England, went on a family-friendly musical tour exploring the stories behind the collections in the Museum of Zoology, MAA and the Fitzwilliam Museum.


Postcard to the Pacific: Outreach teaching in the Fens, by Jenny Williams (28 March 2019)

Last year, MAA refurbished its Pacific Island cases thanks to a grant from the National Lottery Heritage Fund. An associated education programme has been increasing engagement with the new cases.


A view of two wooden and glass cabinets containing Pacific artefacts

Some of the newly refurbished Pacific cases at MAA


Volunteering as an Explainer, by Gloria Sayer and Jenny Williams (28 February 2019)

As part of a generous Heritage Lottery Fund grant, MAA has recently refurbished its permanent Pacific Island displays.

A volunteer stands in front of one of the Pacific Islands display cases

Gloria in the gallery


Untold Histories Museum Tours: stories of collecting through colonialism and conflict, by Ananya Mishra, Danika Parikh and Akshyeta Suryanarayan (9 January 2019)

In October 2018, a new museum tour launched at MAA. Untold Histories tours “tell you what the labels won’t.”

A pink poster advertising the Untold Histories tour

Untold Histories poster


Operation Survival, by Jenny Bull and Rosie Amos (25 October 2018)

What can our museums contribute to audiences understanding issues about the environment? Find out about the work behind our new puzzle solving team-game, Operation Survival.

Four people solving a puzzle on the ground floor of the Museum

Players puzzle out last year’s game, Cambridge Codebreakers: the Last Secret


Arts on Prescription, by Jacqui Strawbridge (15 October 2018)

Two University of Cambridge Museums, MAA and the Fitzwilliam Museum, are working in partnership with Cambridgeshire charity Arts and Minds to create Arts on Prescription courses and sessions, as part of a project supported by the Heritage Lottery Fund.


Museum Mindfulness, by Jenny Williams (9 October 2018)

Mindfulness is about being completely aware of the present moment. We wanted to see how mindfulness could impact and maybe even improve a museum visit.


Going coastal in the Fens: exploring the sea with Centre 33, by Karen Thomas (28 September 2018)

The University of Cambridge Museums have a long-term partnership with local charity Centre 33’s Young Carers project, supporting the young people’s engagement with our collections for over ten years. This year, for the first time, we led sessions across the county as well as within our museums.


“I had a great week working there!”: Work Experience at the University of Cambridge Museums, by Niki Hughes and Richard White (30 August 2018)

University of Cambridge Museums Work Experience


3 Odd Things You Can Make From Natural Materials, by Rosie Amos and Richard White (21 August 2018)

The Green Museums project explores environmental themes across the University of Cambridge Museums (UCM). Our objects hide a history of how we have understood the environment and the problems it now faces, deep in their archives and in the objects in plain sight.


A Viking whale bone plaque

This Whale bone plaque in MAA is thought to have been used as an ironing board during the Viking period.


Weaving Cultures: Textiles of the Museum of Archaeology and Anthropology, by Beatriz Marín-Aguilera, Stefan Hanß and Richard White (16 July 2018)

In April 2018, MAA welcomed world-leading experts who studied and discussed some of the manifold textile treasures hold in the collections of the museum.

A group of researchers discuss textiles objects in the Museum workroom   

Archaeology Collections Manager Imogen Gunn welcomes the group of researchers and discusses the textile collections of MAA with Giorgio Riello (Warwick), Abigail Gomulkiewicz (Cambridge), Ulinka Rublack (Cambridge), Suraiya Faroqhi (Istanbul), Chris Wingfield (Cambridge), Diana DiPaolo Loren (Harvard), Malika Kraamer (Leicester), and Beatriz Marín-Aguilera (Cambridge).


Autism, Accessibility and Our Public Spaces, by Melanie Hugow (11 July 2018)

With support and input from families and professionals dealing with autism on a daily basis, MAA has been working on a project to become more accessible to those on the autistic spectrum. This blog post explores the importance of, and the journey to, becoming more autism accessible.


EACH Sibling Days: sharks’ teeth, scribble bots and success, by Holly Morrison (30 May 2018)

Siblings of children supported by East Anglia Children’s Hospices visited the Fitzwilliam Museum, MAA, and the Museum of Zoology to explore collections, create art, have fun and take time for themselves.

A drawing of a necklace from Fiji and a homemade shell necklace

Necklace-making during the EACH Sibling Days


take-hold: the research behind the digital encounter, by Danika Parikh, Ananya Mishra and Akshyeta Suryanarayan (10 May 2018)

Peel back the layer of the artwork, and you’ll find the creative work of artist collective non zero one and their collaborator Sheila Ghelani, as explored on this blog. And below that, academic research in the museum’s galleries carried out by Danika Parikh, Akshyeta Suryanarayan and Ananya Mishra; and Malavika Anderson, University of Cambridge Museums Cultural Programmer, who originally commissioned the project.

Photograph of a hand reaching out to touch an artefact on an illuminated cube.

take-hold: A new audio guide experience by non zero one and Sheila Ghelani, by Ina Pruegel (9 February 2018)

As part of the India Unboxed season, the University of Cambridge Museums commissioned non zero one to develop a digital encounter at MAA.


Cambridge Codebreakers: turning museum visitors into players, by Sofia Romualdo (4 May 2018)

Games researcher Sofia Romualdo reports on the gameplay experience of location-based game Cambridge Codebreakers: The Last Secret.

Cambridge Codebreakers: an interview with Fire Hazard Games, by Ina Pruegel (9 March 2018)

Last week on the blog, we discussed the development of our live adventure game Cambridge Codebreakers: The Last Secret. Now it’s time to hear from the game developers who helped make it happen.

Cambridge Codebreakers: Developing a codebreaking adventure across 4 museums, by Ina Pruegel (2 March 2018)

How do you run a live action adventure game across four museums? As Cambridge Codebreakers: The Last Secret comes to an end for now, Digital Engagement Specialist Ina Pruegel reflects on the project.


Climate Hack 2018, by Charlotte Connelly (14 February 2018)

How would you change one of our museums to tell stories about climate change? That was the question we posed to 24 people who participated in our first ever Climate Hack.


The Trumpington Cross: A Q&A with curator Jody Joy, by Jody Joy and Hannah Price (8 February 2018)

It’s a tiny object, but it made big headlines this month. The Trumpington Cross, an extremely rare piece of Anglo-Saxon jewellery, was excavated in 2011 at Trumpington Meadows just outside Cambridge. Now the landowners, Grosvenor, have gifted it to MAA, where it’s on display.


A view of the front and back of the Trumpington Cross

Front and back views of the Trumpington Cross.

7th century. Anglo Saxon. Trumpington Meadows, Trumpington, Cambridgeshire, UK.
MAA 2017.58. Photography by Josh Murfitt.


(Mind) mapping the Pacific, by Jenny Williams (29 January 2018)

In April 2018, as part of the Heritage Lottery Funded ‘Pacific Currents’ project, MAA will open refurbished display cases showcasing objects from across the Pacific.

Two visitors look at a display of armour from Kiribati

Visitors at the opening event for ‘Island Warrior’. 

Photography by Josh Murfitt


We need to confront uncomfortable truths, by Nicholas Thomas (4 December 2017)

Should cultural artefacts in museums around the world be returned to their places of origin? It’s a hotly contested debate, and last week, during a three-day visit to Africa, French President Emmanuel Macron made a significant intervention.


Learning about learning: the GEM Foundation course, by Jenny Williams (29 November 2017)

At the beginning of October, I travelled to London for the first two days of the GEM Foundation Course in Museum Learning.


Looking back on the Festival of Light, by Jenny Bull and Hannah Price (22 November 2017)

In October 2017, the Botanic Garden played host to the Festival of Light. One of the University of Cambridge Museums’ most ambitious events to date, the free Festival was the culmination of the year-long India Unboxed season. A thousand-strong audience enjoyed an epic live performance by Talvin Singh, crafts and activities by the individual Museums and Emergency Exit Arts, and a spectacular light installation in the glasshouses by designers Studio Carrom.


Malavika Anderson on Change Making and India Unboxed, by Malavika Anderson and Hannah Price (30 October 2017)

In December 2016, Malavika Anderson began an Arts Council-funded placement with the University of Cambridge Museums team.


Front of House Q&A: April Bagwill, by April Bagwill (14 August 2017)

April is a Front of House Volunteer at MAA.


Food bowls from the Solomon Islands shown on display

April’s favourite objects – the Solomon Islands apira rafa (food bowls).


Behind the scenes in a museum – a conservator’s view, by Rhian Ward (17 July 2017)

Rhian Ward, a Conservation Student at Durham University, answers questions on her placement with the University of Cambridge Museums.


‘It’s amazing what you can do with pegs’: the conservation of a Papua New Guinea skirt, by Kirstie Williams (29 June 2017)

Recently the conservation lab at MAA has been a hive of activity with conservation students and project conservators. Here is one challenge we have tackled: the conservation treatment of a Papua New Guinea grass skirt.

A fibre skirt from Papua New Guinea covered in wooden pegsThe fibre skirt from Papua New Guinea during treatment


Kiribati weaving workshop, by Rhian Ward (20 June 2017)

In April MAA, in conjunction with the British Museum held a one-day workshop on Kiribati armour.

Photograph of participants in a weaving workshop

Participants in the MAA Kiribati weaving workshop


Oh What a Night: SHARE Volunteer Awards 2017, by Niki Hughes (16 June 2017)

Once described as “the Oscars of the Eastern Regions Museum Industry”….. the third annual SHARE Volunteer Awards took place on 8 June 2017, hosted by the Museum of East Anglian Life in Stowmarket.

We were all thrilled when Kevin Hall was given an Outstanding Achievement certificate for his work at MAA.


Work Experience: “just like any other job”, by Niki Hughes (9 June 2017)

The University of Cambridge Museums offer work experience placements for school-aged participants, providing the opportunity to spend a week learning new skills and developing their self-confidence, timekeeping and communication.


3 reasons to love volunteering, by Niki Hughes (2 June 2017)

Flora Miles, Volunteer Gallery Attendant at MAA, shares three reasons why she loves volunteering.


What can collaborations tell us? by Ali Clark and Rachel Howie

A new Spotlight Gallery exhibition opening at MAA will highlight the benefits of interdisciplinary collaboration on museum collections, choosing a Kiribati suit of armour as its focus.

A museum conservator repairing woven overalls from Kiribati

Conservator Rachel Howie conserving the overalls, MAA Z 7034.

Photography by Alison Clark, 2016.


Don’t Believe Everything You’re Told…, by Rhian Ward (21 March 2017) everything really what it appears? When presented with a Kiribati shark-toothed sword, from MAA, decorated with braids of human hair, I started to think of ways I could interrogate these materials and find out what they really were.


Two million years of human history. One million artefacts. Countless astonishing stories.