Stores Move Project

A new collections study centre for MAA

We are hugely excited to be working on the most ambitious collections project undertaken by MAA for generations: the rehousing of our off-site collections to a refurbished historic Cold War bunker in south Cambridge, where they will be more accessible than ever before.

Over 2020-2024, a Stores Move team of up to ten people will inventory, hazard check, and make digital images of the approximately 250,000 archaeological and ethnographic objects; pack them for removal and storage; and ensure their safe transport and rehousing in the Centre for Material Culture. We will ensure that the collections are both appropriately stored and made physically and intellectually accessible, in person and digitally through MAA’s online catalogue. The CMC's new, purpose-built object lab will welcome researchers, students, community groups and other stakeholders from Cambridge and around the world.

The University of Cambridge has supported a full refit of the bunker, which was constructed in the 1960s and was intended to serve as the regional seat of government for the Eastern region (RSG-4) after a nuclear attack. It never served its original purpose, fortunately, and has lain unused for many years. Work on the Grade II listed Brutalist concrete heritage building was completed in September 2020.

The new Centre will house collections that represent the cultural heritage, history and creative spirit of peoples in Africa, the Americas, Asia, Europe, Oceania and the United Kingdom, including the Cambridge region. They have tremendous cultural significance to communities locally and around the world, and MAA is committed to addressing and exploring their histories and making them available to the widest possible audiences. The Stores Move team’s work to document and digitize the collections in advance of the move reflects MAA’s commitment to increase and diversify access to collections and to decolonise knowledge and collections care throughout the institution.

Follow our progress over on social media with #MAAStoresMove!

Meet the team!

Explore blog posts from the Stores Move team.

Woman in white coat and green gloves holding a medieval urn, analysing it.

Transforming Collections and Ourselves: introducing the MAA Stores Move

15 months after an incredible team of Collections Assistants started, then stopped, then started again, here is a very belated introduction to the MAA Stores Move: a reflection on what we’ve done so far and a look forward to the transformative work we’ll be undertaking in the years ahead.

Anglo saxon wrist clasp

Masks and Monsters: Decoding Anglo-Saxon Metalwork

Do you ever feel like you're being watched? Lily Stancliffe looks at the hidden figures within Anglo-Saxon metalwork, objects which play with perception, weaving people and animals together to create a rich and complex ornament full of mystery and tricks of the light.

Model of a skeleton sitting in a blue cart. The skeletons joints are made from springs and it is holding a stick.

(Please don't) Shake, rattle and roll

We've been busy packing all kinds of fascinating objects, including some rather animated Mexican artefacts from the 19th and 20th centuries. Katrina Dring looks at some of the packing techniques for these unusually challenging objects.

Asepia photograph of an old man, Reth Fatifi Wad Yor, smoking a pipe. He is sat on a chair in front of a large sun-dapped tree scene.

How do you research a colonial era collection?

Visiting researcher Zoe Cormack talks about her research on the colonial histories of collections at Cambridge, the previous owners of African objects now stored at MAA, and the new questions and connections this research is bringing to light.

A Collections Assistant writes in a notepad in front of an open laptop

A Creative Practitioner’s Insight into Sámi Coffee and Salt Bags

Collections Assistant Katrina Dring discusses the processes entailed in the production and preservation of bags made using reindeer, sheep, and fish skin, in the collections at MAA.

Beaded armband with detail of broken section. Green and red lines indicate the direction of the threads.

Broken objects whisper their secrets. Are you listening?

A damaged object can provide an exciting opportunity to learn how it was constructed. Collections Assistant Katrina Dring explores what beadwork can reveal in our latest Digital Lab blog post.

A hand holding a torch shines UV light onto a necklace revealing a bead which glows green.

From Russia with Radioactivity: Misidentified Objects and Hazards

Detective work by Collections Assistant Katrina Dring uncovers a surprising secret amongst our collections. Read more in a new Digital Lab blog post.

A member of staff works on an old museum display board. Some of the objects removed from the board lie in front of her as she works on a list to identify them all.

100-year-old Displays and Dilemmas: The Archaeology of the Museum

Stores Move Collections Assistant Katrina Dring reveals the challenges which occur when faced with an historic display board. Read her Digital Lab blog post to discover more.

Four body clothes in shades of orange and black.

Make Do and Mend, Museum Edition

Stores Move Collections Assistant Katrina Dring reveals how a repaired Naga body cloth from India can provide inspiration for mending your own socks in her blog post for the University of Cambridge Museums.

Part of the face of a helmet mask which is decorated with glass beads and cowrie shells. One eye, with its eyebrow, and the nose have all been created through beadwork.

Masks, Mounts, and Moving Collections

Collections Assistant Katrina Dring explains the customised packing processes used by the Stores Move team through her work with a striking Mwaash aMbooy or Mukyeem mask.

A white silk robe woven with a geometric and floral design.

Secrets up your sleeves?

Stores Move Collections Assistant Katrina Dring turns detective after discovering something surprising in the sleeve of a beautiful silk kimono.

A large headdress made from black ostrich feathers bound onto a frame made from wrapped plant fibres. A head pad is made from a ring of wrapped plant fibres, with a strap of cotton attached.

Light as a feather, and just as fragile

Join Stores Move Collections Assistant Katrina Dring to discover the bespoke conservation methods used to pack and protect objects like this magnificent headdress.